George Washington possessed a strong interest in landscape design and architecture throughout his adult life. Explore the influences that helped transform Mount Vernon's landscape.
1. George Washington redesigned the landscape at Mount Vernon after returning home from his service in the Revolutionary War.
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One year after returning home from the Revolutionary War, Washington turned his attention to improving the landscape that surrounded his country seat. He knew that many would make the trek to see his home and he wanted those visitors to be impressed with what they saw. In 1796, he wrote to his farm manager about a visit home from Philadelphia, “During my stay at Mount Vernon I expect much company there, and of the most respectable sort, it would be pleasing to us therefore to find everything in order.” Later that same year, Washington wrote to his nephew, “my house, I expect, will be crowded with company … as the ministers of France, Great Britain, and Portugal, in succession, intend to be here—besides other strangers.”
Washington turned to gardening dictionaries and calendars written by Philip Miller, chief gardener at the Chelsea Physic Garden in London, as well as dictionaries on gardening and botany by horticulturists Thomas Mawe and John Abercrombie. These publications and a design book written by architect and landscape designer Batty Langley would give Washington the information he needed to break from the formality of early colonial landscapes and create a new naturalistic style that would be enjoyed by his family and his many guests.
2. Mount Vernon's new landscape was heavily influenced by British landscape design.
Washington looked to English architect and landscape designer Batty Langley’s book, New Principles of Gardening, published in 1728, as his textbook. Langley claimed he would demonstrate the laying out and planting of features in the landscape “After a more Grand and Rural Manner, than has been done before.”
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Langley was a proponent of the naturalistic landscape, a picturesque style fashionable in England. In January of 1785, Washington began the task of re-landscaping Mount Vernon in a more naturalistic style, doing away with the geometric layout that had been there before. Roads and walls were removed and gardens and landscapes were reconfigured.
Learn More: Batty Langley and the New Principles of Gardening
3. The bowling green is the central element of Washington's landscape composition.
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The large variety of plants were intended to be used to create 6 ovals on the west lawn, “two large ovals and at the ends four small ones.” Plants in the ovals were arranged according to height: “Putting the tallest, always, nearest the middle, letting them decline more into dwarfs towards the outer parts.” The only exception to that rule was in the larger ovals where two loftier trees could be planted at each end. In keeping with naturalistic landscape designs in each oval feature, Washington instructed that “no regularity may be observed in planting.”
Learn More: Samuel Vaughn's 1787 Plan of Mount Vernon
4. Washington carefully framed the view of the Potomac River.
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5. The forest was Washington's nursery.
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On January 12, 1785, Washington recorded in his diary, “Road to my Mill Swamp, where my Dogue run hands were at work & to other places in search of the sorts of trees and shrubs I shall want for my walks, groves, & wildernesses.” On his first tree-tagging trip he found elm, ash, maple, poplar, sassafras, dogwood, fringe and redbud trees. From January of 1785 until the middle of 1786, his diaries are full of his plant explorations and details of his landscaping accomplishments. He had aspen trees planted along the serpentine pats; dogwood, maple, poplar, and mulberry in the shrubberies; and wagon-loads of Virginia pine in the wilderness areas. Washington’s excitement with his progress is evident in his diary entries, and with great satisfaction, he recorded on March 3, 1785, “Employed myself the greatest part of the day in pruning and shaping the young plantation of Tree & Shrubs.”
READ MORE ABOUT HISTORIC TREES AT MOUNT VERNON
6. Some of the simplest features - the lawn and gravel walks - were the most labor intensive to maintain.
In The Universal Gardener and Botanist (1787), lawns were lauded as “add[ing] to the grandeur of the garden and beauty of the mansion,” which the bowling green certainly does at Mount Vernon. Gravel walks were praised as “great ornaments to the gardens as well as the most useful kinds of walks for common walking.” But both required weekly maintenance, at Mount Vernon this work was typically done by enslaved individuals.
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7. Washington created a deer park to inspire and amuse his family and guests.
When Washington redesigned the landscape at Mount Vernon following the Revolutionary War, he planned for a deer park to be sited between the Mansion and the river. In October of 1785, he recorded that he “Measured the ground which I intend to inclose for a Paddock, and find it to be 1600 yards.” Next, he needed deer. He planned to stock the paddock with English and native deer and he also received deer from several of his friends. Benjamin Ogle sent six fawns from his park of English deer. Set in a natural setting the deer park was intended to inspire and renew the Washington family and their guests’ social and psychological well-being.
The paddock fell into disrepair during Washington’s lengthy absence during the war. In 1792, the deer park was removed and a serpentine wall built in its place. That August, he wrote to Richard Chichester, “I have a dozen deer (some of which are of the common sort) which are no longer confined in the Paddock which was made for them, but range in my woods, & often pass my exterior fence.” Washington never hunted deer for his table, nor did he allow deer to be hunted on his property.
Learn More: Washington's Mount Vernon Deer Park
8. Washington used ha-ha walls to separate different features of the estate.
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At most plantations, natural views could easily be destroyed by the fencing necessary to keep farm animals away from the house and gardens. Washington’s solution was to use ha-ha walls, a common feature in British naturalistic landscape design. A ha-ha wall is a sunken wall with a turf ditch on the pasture side. The wall served to keep domesticated animals safely in the pasture, but their boundary was concealed. As a visitor looked away from the Mansion, they saw a pastoral scene with animals grazing in the distance, but the wall did not interrupt the view beyond.
Washington created three ha-ha walls in 1785. They were located to the north and south of the east lawn and another was created to the west. A fourth serpentined ha-ha wall was built later, directly to the east of the house, after the paddock constructed for deer had fallen into disrepair. Beyond adding natural beauty to Mount Vernon’s landscape, the ha-ha walls separated the working farm from the family’s living area or pleasure grounds that Washington had created for the enjoyment of his family and guests.
9. The landscape at Mount Vernon was designed to feel increasingly natural as one moved away from the Mansion.
Washington achieved this effect by layering different varieties of trees and shrubs at different points on the landscape. Close to the Mansion, he planted locust groves, which framed the house and acted as a screen between the plantation’s work areas and the family’s living area. Shrubberies, a popular feature in English landscape design, were planted on either side of the bowling green where the serpentine path curved inward. The shortest plants were placed in the front, and the tallest in the rear, with the arrangement designed to feature each plant’s foliage and blooms. Washington planted locust, sassafras, live oak, and willow trees in his shrubberies. Where the lawn widened, Washington planted wildernesses with labyrinthine paths within. When visitors strolled the gardens, these areas provided the opportunity to explore and hold private conversations.
10. Washington's achievements in landscape design were widely praised by visitors to Mount Vernon - providing historians with an important documentary record of the estate's appearance.
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In April of 1791 William Loughton Smith described “two pretty gardens separated by a gravel serpentine walk.” Two years later, Winthrop Smith recorded “the various Avenues are as artfully continued as in a limited Area to afford the most delightful promenades.” In 1799, the Reverend John E. Latta was delighted by “a great variety of plants and flowers, wonderful in their appearance, exquisite in their perfume and delightful to the eye.”
That same year, John Searson was so moved that he wrote a poem entitled "Mount Vernon, A Poem". It concluded with the following verse:
The walks well-gravell’d, smooth’d and very neat,
And ev’ry scene this season quite complete.
A garden useful will be e’er admired,
And what’s more pleasant than a walk retired?